1c · 1a · 0v · 0h · 0m
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Examples

Ready-made patches, loaded into the Studio. Nothing is uploaded and nothing you have saved is touched.

  • Alpha 10 Hz isochronic A 200 Hz tone pulsed ten times a second, with a soft attack and release on each pulse. The smallest complete patch the Studio makes.
  • Gamma 40 Hz isochronic The same shape at forty pulses a second, the rate most often used in gamma-band studies. Compare it with the alpha patch to hear what the pulse rate alone changes.
  • Binaural alpha beat 200 Hz in the left ear and 210 Hz in the right. The 10 Hz difference is heard as a beat that is not present in either channel on its own. Headphones required.
  • Theta breathing pacer A six second rise and fall, shaped by an LFO linked to a carrier’s level. Slow enough to breathe along with, and the clearest illustration of a control track driving an audio parameter.
  • Ocean and drone An ocean recording under a five voice drone at 110 Hz. Nothing pulses and nothing is modulated: an ambient bed, and a starting point to add your own tracks to.
  • Colour wash and tone A slow gradient beside a quiet 160 Hz carrier: one visual track and one audio track sharing the same transport, which is how every cross-modal patch is put together.
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Controls
50% inhale
Audio
200 Hz · pulse 10.0 Hz · AR
L R
Visual
Sensory Field starters

Insert seamless ordinary audio, colour, and stereoscopic tracks.

No visual tracks. Add one above.

Haptic

No haptic tracks. Add a Vibration track.